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THINGS. PLACES. YEARS.Documentary l Austria 2004 l 70 min l colour l DV-Cam l English (with German subtitles) World Premiere: Diagonale 2004 Directors, Concept & Interviews: Klub Zwei (Simone Bader & Jo
Schmeiser) Festivals:
When talking about presence and absence, about lack and loss, these words
can mean entirely different things – according to who is speaking.
Thus descendants of survivors of the Holocaust speak of "The Presence
of the Absence" (Katherine Klinger) and thereby mean the presence
of the loss of their whole family, the loss of their parents’s mother
tongue, the loss of places their parents loved, places that still exist
in Vienna – unchanged until today. But what does "The Presence
of the Absence" signify for us, as decendants of the perpetrator
society? It means to deal with "The Past in the Present" (Ulf
Wuggenig), to work against the old and new antisemitism and racism that
Jews and migrants are confronted with in Austria today.
Things. Places. Years. shows the impact of forced emigration and the Holocaust in the lives of three generations of women in London. The film also focuses on their work. Nearly all of the twelve women featured in the film found their occupations in the cultural field. Most have a Jewish background. However, it is difficult to define what these women have in common. Is it their Jewishness or their interest in art and culture? Or is it how they confront the past? The film does not construct a homogeneous female identity. Rather, Things. Places. Years. goes beyond the dilemma of ascription and determination. It gives these women ample space to speak about their identities, which is much more multifaceted than their identification as being Jewish. An identification that was cause for deportation and murder during the Nazi era. An identification that makes Jews out of men and women with a Jewish background. Until this film was made, these women had rarely been asked how they identify themselves. Things. Places. Years. brings the women´s experiences and analyses to the screen. But it also focuses on quiet moments, silence and contemplativeness. In familiar surroundings, such as their homes or workplaces, the women talk about their relationships to places, to things and about their Jewishness. The film also offers the opportunity for us to confront ourselves with anti-Semitism today. Something we should all take time to do. For, the past recurs in the present. (Rosa Reitsamer) |